这部电影好像没在论坛里看到资源,就分享一下吧,求堕落
片名:看见你便想念你/I miss you when I see you
年份:2018
导演:钟德胜
主演:麦子乐、李骏硕、袁浩洋
吉米在悉尼与他的老同学凯文重逢,凯文正与抑郁症在做斗争。等到吉米回到香港,当他发现凯文意外地出现在自己家门口的时候,他便将他带了进去,这也使得他的女朋友对他们的关系有所怀疑。凯文的到来唤醒了吉米曾经高中时对他压抑的情愫,然而当凯文不与吉米彼此感情满足,凯文也就破坏了他在香港原本的生活。他们能找到回应对方的方式吗?
一对多年未见的知己再度重逢,潜藏一发不可收拾的暗涌。再度遇见你,可喜也可悲,原来仍是你,仍是你锁着我⋯⋯面对禁忌,二人选择不同的方式去面对。表面上脆弱的凯文反而能最直接的面对自己的内心,而外表坚强的吉米其实在不断的逃避。
电影中散发着寂寞与遗憾,人与人之间的若即若离,社会现实施加的期望与压力,还有城市疏离得质感。不过电影虽压抑,但观影感觉是轻盈的,骨子里带着希望,多条感情线的发展和结合也清楚不拖沓。
PLOT(情节)
After returning from Australia where he’s been struggling with depression, Kevin (Jun Li) reconnects with an old friend, Jamie (Mak). As teens, the two were inseparable buddies, but just before Kevin’s mother relocates the family, the pair gives in to their burgeoning romantic feelings. Some low-key making out on the beach is broken up by police, after which Jamie decides to play it safe. He avoids Kevin and their connection is severed. A decade later, Jamie finds Kevin in a group home, they return to Hong Kong together, and both are forced to reevaluate their lives — professionally and personally.
In I Miss You, Chung likens being gay and being depressed as similar states of isolation; both often treated as phases someone can snap out of. That alone would be enough to chew on for any filmmaker, but Chung isn’t content to stop there, fleshing out Kevin and Jamie in relation to the people around them, chief among them Jamie’s increasingly suspicious girlfriend Elaine (Candy Cheung) and a young troublemaker Kevin strikes up an odd friendship with. Most surprising, perhaps, is Chung’s resistance to creating characters that are permanently morose or a world that’s unrelentingly bleak. Kevin has trouble readjusting to Hong Kong’s unique pace and social mores, and Jamie has trouble reconciling his lingering feelings for Kevin, but Chung dangles a bit of accepting light at the end of their tunnels, whether it’s together or separately.
Tech specs are acceptable, and co-star Li turns in a suitably introverted, cautious performance as the fragile Kevin, who’s actually stronger than the “adjusted” Jamie. The film’s greatest strengths, however, are the authentic, intimate moments and grace notes that convey a sense of place: an awkward, judge-y school reunion and the omnipresent climate of bowing to social expectation rather than embracing private desire. It's in these moments that Chung effortlessly creates the kind of context that goes a long way to understanding and empathizing with both men at the center of the story.
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